Saxophone Lessons UK / London

Hello there,
If you're a jazz enthusiast trying to elevate his playing I am happy and honoured to be able to offer something unique, tried and proven to be not just a simple help, but a transformation – the PENTAWAY Method:
✅ How to start improvising instantly without learning anything new – using what you already have and turning it into gold starting now (!), even if you feel like you're starting from scratch.
✅ How to learn jazz scales in a way the world has been waiting for, and start applying them immediately (!), even if you don’t read music.
✅ How, after just a few lessons, you can feel radically more confident among other musicians and ready to have meaningful conversations about jazz and improvisation – even if you think it’s too much or too late for you.
✅ How, after just three lessons, you’ll be able to improvise simply by looking at chord symbols – without spending hours learning the traditional way.
✅ How to become the musician you’ve always wanted to be and even help others achieve their musical goals, if you choose to.
After 30 years of playing and teaching, I developed a method to introduce jazz theory to any vocabulary – even if you think you don’t have one or don’t read music. I can talk about my method, but maybe you’d prefer to hear what my students have to say. Here are some of them:
If you're a jazz enthusiast trying to elevate his playing I am happy and honoured to be able to offer something unique, tried and proven to be not just a simple help, but a transformation – the PENTAWAY Method:
✅ How to start improvising instantly without learning anything new – using what you already have and turning it into gold starting now (!), even if you feel like you're starting from scratch.
✅ How to learn jazz scales in a way the world has been waiting for, and start applying them immediately (!), even if you don’t read music.
✅ How, after just a few lessons, you can feel radically more confident among other musicians and ready to have meaningful conversations about jazz and improvisation – even if you think it’s too much or too late for you.
✅ How, after just three lessons, you’ll be able to improvise simply by looking at chord symbols – without spending hours learning the traditional way.
✅ How to become the musician you’ve always wanted to be and even help others achieve their musical goals, if you choose to.
After 30 years of playing and teaching, I developed a method to introduce jazz theory to any vocabulary – even if you think you don’t have one or don’t read music. I can talk about my method, but maybe you’d prefer to hear what my students have to say. Here are some of them:
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But getting all the information – even the structure or the tools – is only half of it. Sometimes, it often feels like too much.
One day, I found this message in my inbox:
"I learned my scales and all the theory behind playing jazz as an adult – the old-fashioned way: no mercy and not much fun.
I survived, but it was tough. I remember every step, every struggle, every judgment, and every doubt.
Managing my fragile musicianship eventually became harder than managing the music itself. Protecting it turned into a mission – not quitting became job number one.
One day, I found this message in my inbox:
"I learned my scales and all the theory behind playing jazz as an adult – the old-fashioned way: no mercy and not much fun.
I survived, but it was tough. I remember every step, every struggle, every judgment, and every doubt.
Managing my fragile musicianship eventually became harder than managing the music itself. Protecting it turned into a mission – not quitting became job number one.

It takes more than just a music teacher to support that. It takes more than a music teacher to keep you going. It takes more than a music teacher to hold your hand. You need a coach. When I was in a dark spot, your book gave me what I needed – coaching and many practical tools."
This is exactly why I wrote the book The Art Of Your Next Step: The Missing Handbook for New Jazz Musicians. For many, it provides the kind of help they need most – before they even play their first note.
My name is Lesh, and I am a saxophonist, composer, and educator breaking free from traditional boundaries.
With a background that includes the Academy of Music in Gdańsk (Jazz and Popular Music), the Pomeranian University in Słupsk (Social Rehabilitation, Music and Art Education), and jazz teaching training from the Associated Board of the Royal Schools of Music in London, I combine profound academic insight with real-world practical performing and teaching experience.
This is exactly why I wrote the book The Art Of Your Next Step: The Missing Handbook for New Jazz Musicians. For many, it provides the kind of help they need most – before they even play their first note.
My name is Lesh, and I am a saxophonist, composer, and educator breaking free from traditional boundaries.
With a background that includes the Academy of Music in Gdańsk (Jazz and Popular Music), the Pomeranian University in Słupsk (Social Rehabilitation, Music and Art Education), and jazz teaching training from the Associated Board of the Royal Schools of Music in London, I combine profound academic insight with real-world practical performing and teaching experience.
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